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Prints

Abstracti of a commuter in a white pinstripe suit, part of a series about the daily flow of salary men and women moving into
Abstraction of a commuter in a suit, ‘Going Home,’ reflecting the evening return flow in the city’s daily commute.
Abstraction of a commuter in a suit, ‘Going to Work,’ reflecting the morning flow in Tokyo's daily commute.
Abstraction of a commuter in a suit, ‘Going to Work,’ reflecting the morning flow in Tokyo's daily commute.
Abstraction of a commuter in a suit, ‘Going to Work,’ reflecting the morning flow in Tokyo's daily commute.
Abstraction of a commuter in a suit, ‘Going to Work,’ reflecting the morning flow in Tokyo's daily commute.
Abstraction of a commuter in a suit, ‘Going to Work,’ reflecting the morning flow in Tokyo's daily commute.
Abstraction of a commuter in a suit, ‘Going to Work,’ reflecting the morning flow in Tokyo's daily commute.
Abstract construction-themed print, 2007, 90 × 46 cm, structural forms arranged as a rhythmic composition
About the 1954 Castle Bravo test and the irradiated Daigo Fukuryū Maru, contrasting seductive pop culture and concealed harm.
Lithograph visualizing the relentless motion of time as territories are gerrymandered, reorganized, pushed and pulled, and re
30 cm aquatint titled ‘Ideal- Vitruvius inspired
Intaglio print organized by Tokyo rail routes, evoking post-earthquake tension and instability.

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Cyanotype of atomic bomb blueprints transformed into illumination.
Silkscreen on panel, 210 × 100 cm, mapping Tokyo rail flow using Yamanote green, Shonan Shinjuku green-orange, Keihin-Tohoku
Abstraction of a commuter in a suit, ‘Going Home,’ reflecting the evening return flow in the city’s daily commute.
Monoprint where ceaseless lines weave a composition echoing Osaka’s train and subway rhythm, tracing the city’s intricate tra
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