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SCULPTURE

Causeway white relief, interlocking modules set in a rectilinear grid.
Causeway square in black, ordered hexagon grid suggesting volcanic columns.
Arbura, tree-bark modules arranged as a 42-unit grid in varied materials.
Arbura, tree-bark modules arranged as a 42-unit grid in varied materials.
Arbura, tree-bark modules arranged as a 42-unit grid in varied materials.
Causeway concreterelief, interlocking modules set in a rectilinear grid.
Causeway wide bronze relief, interlocking basalt-like cells in ordered array.
Causeway wide white relief, interlocking modules set in a rectilinear grid.
Causeway Black relief, interlocking modules set in a rectilinear grid.
Causeway Rin Rust relief, interlocking modules set in a rectilinear grid.
Causeway wide iron Rust relief, interlocking modules set in a rectilinear grid.
Causeway wide Bronze relief, interlocking modules set in a rectilinear grid.

ARTWORKS SCALED PROPORTIONALLY 

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Porcelain relief mapping Tokyo’s rail rhythm, minimalist ridges, 35×35 cm.
Flowing copper forms revealing Tokyo’s expansive rail network.
Flowing black forms revealing Tokyo’s expansive rail network.
Flowing white forms revealing Tokyo’s expansive rail network.
Silent Spring detail, surface shifting from organic to geometric toward decay.
Ceramic Crab Sculptures
Nevada Test Site reimagined in concrete and irradiated stone, Cold War reflection.
City Lights, white variant, Osaka to Kyoto satellite view relief sculpture.
City Lights, black variant, Osaka to Kyoto satellite view relief sculpture.

ARTWORKS SCALED PROPORTIONALLY 

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Assembly, 180×200 cm, concrete, walnut, aluminum, resin, stone, leather.
Orchard relief slice, crisp interior geometry disrupted by spread of rust.
Soviet nuclear tests sculpture, iron with ash and rust on wood and cement epoxy.
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